鲁师教育“艺术生艺考直通车”一站式文化课课程培训!
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文化课辅导水粉画做画技巧!
来源:http://www.lushipeixun.com 发布时间:2019-10-17

  水粉具有一定程度的笼式力。 如果使用不当,会导致背景色出现并变脏。 水粉,油画和水彩之间的关系与水彩相似。 水性涂??料不使用多水分方法。 白粉色可调节颜色的亮度,并在厚涂中显示其独特的颜色效果. 学习色彩素描时,仍然有必要掌握某些绘画程序和步骤。
  Water powder has a certain degree of cage force. If used improperly, the background color will appear and become dirty. The relationship between gouache, oil painting and watercolor is similar to that of watercolor. Multi moisture method is not used for water-based coating materials. White powder color can adjust the brightness of the color and display its unique color effect in thick coating. When learning color sketch, it is still necessary to master some painting procedures and steps.
  色调应从整体上决定每块的颜色。 切勿孤立地看一眼,调整一下并画一张。 没有本地细节描述,如何使图片突出? 如果局部干扰整体,则建议不要绘制得更好。 着眼于颜色的深色部分要透明,而不要太暗。 首先画哪个? 从什么抽奖? 绘画方式没有规律。
  The color of each piece shall be determined from the whole. Don't look at it in isolation, adjust it and draw a picture. Without local details, how to make the picture stand out? It is recommended not to draw better if the local interference affects the whole. Focus on the dark part of the color to be transparent, not too dark. Which one to draw first? From what lottery? There is no rule in the way of painting.
  将水粉颜料干燥后,将灰分中间层的颜色涂上油漆。 连接时,这是非常不自然的。 此时,通常需要重新绘制深色部分的颜色以使其自然。 因此,水粉的着色方法通常是深色。 一次性布置中间颜色,暂时将明亮部分的颜色放在一旁。
  After drying the water powder pigment, paint the middle layer of ash. This is very unnatural when connecting. At this point, you usually need to redraw the color of the dark part to make it natural. Therefore, the coloring method of water powder is usually dark. Arrange the middle color at one time, and temporarily put the color of the bright part aside.
  成分:位置适当,主要和次要是清晰的,对比度是迷人的,关系是协调的,并尽可能地创造自然和别致的风味,并且清新和口感完整。 因为背景色是暖色的,所以屏幕上的颜色可能会稍微偏冷。
  Ingredients: the position is appropriate, the primary and secondary are clear, the contrast is charming, the relationship is harmonious, and try to create natural and unique flavor, and fresh and complete taste. Because the background color is warm, the color on the screen may be slightly cooler.
  由于整体图像较亮,因此您应该先刷一层暖色。
  Because the overall image is bright, you should brush a warm color first.
  济南工作室共享的水粉画是使用水混合粉状颜料制成的画。
  The gouache shared by Jinan studio is made of water mixed with powder pigments.
  逆光,最容易显示颜色的特殊效果。
  Backlight, easy to display the special effect of color.

山东艺考文化课培训
  考生通常非常关注详细的绘画方法。 铺大颜色时,请多用水。 在漆黑的地方,虚构的地方和较远的地方绘画时,应稍微增加一点以增强其空虚感和透明度,但不要过多,以免造成水渍。 有效和准确的绘画方法和步骤对我们掌握素描技术特别是在检查室的期限内完成工作的期限具有实际的帮助和效果。
  Candidates usually pay great attention to detailed painting methods. Please use more water when paving large colors. When painting in dark places, fictional places and far places, a little more should be added to enhance the sense of emptiness and transparency, but not too much to avoid water stains. Effective and accurate drawing methods and steps have practical help and effect for us to master the drawing technology, especially for the time limit of completing the work in the inspection room.
  最好从背景中绘制。 绘画时请勿填充物体。 留出缝隙以使图片透气。 不要画得太亮。
  It is best to draw from the background. Do not fill objects while painting. Leave a gap for the picture to breathe. Don't paint too bright.
  通常,当静物的主要对象相对较大并且颜色为深色,而背景颜色为浅色时,后一种方法更好,并且易于控制图片的亮度对比度和节奏层。 整体全面,局部分析; 整体是广义的,局部是微妙的; 整体印象深刻,当地人寻求深刻; 整体寻求相同,局部色彩。
  Generally, when the main object of still life is relatively large and the color is dark, and the background color is light, the latter method is better, and it is easy to control the brightness contrast and rhythm layer of the picture. The whole is comprehensive and the part is analyzed; the whole is broad and the part is subtle; the whole is impressive and the local people seek deep; the whole seeks the same and the part colors.
  水粉和水彩颜料受水限制且干燥迅速,因此不能像油画那样。 绘制整个图片时,每个对象的深色部分被一一绘制,然后绘制中间和明亮的颜色。  。 掌握整体就是掌握大的色彩关系。 因此,在绘画开始时,我们必须表达静物中占据主要画面的物体的颜色。
  Gouache and watercolor pigments are limited by water and dry quickly, so they cannot be like oil paintings. When drawing the whole picture, the dark parts of each object are drawn one by one, and then the middle and bright colors are drawn. To master the whole is to master the big color relationship. Therefore, at the beginning of painting, we must express the color of the objects occupying the main picture in the still life.

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